The question of the esthetic conceptions of medieval Europe is most complex. The brilliant flourishing of classical esthetics in Europe was followed by a profound crisis of the spirit, deepened by the dominance of Christian dogmatism. However, this did not at all mean that esthetics had died. In Catholic Western Europe, in Orthodox Byzantium, the South Slavic countries and Rus', everywhere in fact, during the medieval period, the development of esthetic views, ideas, and theories went on. We sense in what (...) took place echoes of classical antiquity, Christian theological strains, and also new and original ideas. (shrink)